FUSE
Every source plays every note. Frequencies melt around a siphon point you move through time — from a smooth morph to shared-spectrum cross-synthesis.
DEFAULT · SPECTRAL MORPH
Proof of Life Audio
Not a synth on its own. Scan your plugin library, link up to eight of your instruments into SIPHON, play one note — and melt them into a single sound that only exists on your machine.
STOCHASTIC SPECTRAL MORPHING
You pick the synths. SIPHON melts them together and keeps moving the blend, so every note comes out a little different. Parts of one instrument bleed into another, textures drift, and phrases you'd never have played show up on their own.
When something great happens, lock it. The same "accident" plays back exactly the same way every time, so you can build a track on it.
Under the hood: real-time spectral morphing between up to eight instruments, steered by probability instead of a fixed pattern.
Short clips from real screen recordings — different sounds, not the same loop over and over.
SIPHON has no oscillators and no built-in sounds. You scan the plugins already on your computer, link up to eight of them into two banks of four, and play them from one keyboard. Blend them, trade them, or break them apart. Mac hosts VST3 and AU; Windows hosts VST3; inside Pro Tools it hosts them too. Audio files can load as sources too.
A digital plug-in for your studio. Not a sample pack. No hardware ships. Edit each linked plug-in inside SIPHON so your keyboard and MIDI keep going to the right place. Check compatibility
Every source plays every note. Frequencies melt around a siphon point you move through time — from a smooth morph to shared-spectrum cross-synthesis.
DEFAULT · SPECTRAL MORPHPlays fragments of what every source is sounding right now, re-pitched to your keys — with click-free fades and tempo-aware splice lengths.
FRAGMENTS · KEYTRACKSources play directly under your fingers. No spectral melt, no slicing — just the instruments you loaded, ready to hand off and blend.
DIRECT · RESPONSIVELayers LIVE with SLICE so you can keep the direct sound under a moving curtain of fragments. Traverse, Blend, Glue, and Tune shape how the layers meet.
DIRECT · LAYEREDMotion through the blend
Scan, Wander, Step and Note decide how the siphon point moves across your sources. Rate sets the pace and syncs to your project tempo. Recall sets the odds of staying on the current source instead of moving. Lock makes the random moves repeat exactly the same way every time you press play.
Use Traverse to morph slowly across a bank, jump in rhythmic steps, or park on a seam and play from there.
SIPHON is always listening. The last 2 to 16 seconds of every source drain into the Reservoir. Hold pauses recording on a source so its capture stays put. Freeze locks the whole capture and saves it inside your project. Position picks where slices start, from oldest to newest audio, and Spread scatters them around that point. Splice sets slice length from 30 ms to 4 s, with tempo-synced options so cuts stay musical.
Hold · Freeze · Position · Spread · Splice
A dark echo whose repeats drop an octave as they fade.
ECHO · SINKPuts the sound inside a hollow, vocal-like cavity that shifts shape at every handoff.
HOLLOW · VOCALSpinning modulation across the seam — motion you can feel without leaving the sources behind.
SPIN · MODHardens the body of the blend so morphs keep a shell around the changing interior.
BODY · SHELLA smeared, blurry echo trail behind everything you play.
TRAIL · BLURBit crushing and sample-rate reduction, from gritty to wrecked.
CRUSH · LO-FIHandoff control. Effects can sit on everything or only on the seam between sources, so you shape the moment of trade without burying the instruments underneath.
Session details
Open the Instrument scanner from SIPHON's menu once and it finds the plugins already on your computer. Then link them in. Tune pulls sources into one key. REC captures a take you can drag into your DAW. Open any linked plugin’s own editor inside SIPHON. Envelope shapes the played sound. Sixteen-voice slices, low-latency paths, FX bypass, and panic keep the session under control.
Save and load setups. Fifty-four factory presets. Ninety automatable parameters for deep DAW control.
SIPHON is a one-time purchase. After you buy, sign in to your account with your purchase email to get the installer and your license code. Open the plug-in, paste the code, and activate. Each code covers three computers. Deactivate a seat when you change machines.
One-time · License code in your account · 3 computers
Reviews
Mac + Windows. Requires your own instrument plugins (or audio files) to make sound.
Requires your plugins. SIPHON does not ship with synths or a sound library. Open the Instrument scanner from SIPHON's menu once and it finds the plugins already on your computer. Link instruments in (VST3/AU) and open their editors inside SIPHON.
Formats: VST3, AU (Mac), AAX (Pro Tools) and Standalone. No VST2. No iLok needed: the AAX is PACE-signed by Proof of Life Audio and uses your normal license code. Works in Pro Tools. Tested in Pro Tools Ultimate 2026.4.1, REAPER and FL Studio.
SIPHON is not a sample pack; no hardware is included.
SIPHON
Black Friday sale: $49 through Nov 30
Plugin host & blender for Mac & Windows — not a standalone instrument.
You link your own synths. One-time license.
If you run into a problem after buying, chat with us within 3 days of purchase and we'll review a refund.
Download trial
3-day free trial. Enter your email to get the download. The same installer is used for the full version: after three days it asks for your license code.
Version 1.2.0 — now with Pro Tools (AAX). What's new
Secure checkout with Stripe. Mac + Windows license code in your account. Tax added where applicable. Questions: Chat with us.
Your existing license codes keep working, and saved projects and presets open unchanged. No iLok needed. Get the installer from the download panel or your account. Full notes on the changelog.
Your existing license codes keep working, and saved projects and presets open unchanged. Get the installer from the download panel or your account. Full notes on the changelog.
About 12 ms in FUSE mode, and about half that with LOW LATENCY. Your DAW compensates.
SIPHON is a plugin host and blender — not a standalone instrument with its own sounds. Open the Instrument scanner from SIPHON's menu once and it finds the plugins already on your computer. You link up to eight of your VST3/AU instruments (or audio files), play them as one, and open those plugin editors inside SIPHON. FUSE, SLICE, LIVE, and BOTH are ways to perform the blend.
Yes. SIPHON does not include synths or a factory sound library. You need instrument plugins already installed on your computer (or audio files to load as sources). Without something linked in, SIPHON will not make sound on its own.
One-time purchase. After you buy, sign in to your account with your purchase email to get your license code, paste it in the plug-in, and activate. Each code works on up to three computers. Deactivate a seat to move it.
No. SIPHON has no oscillators and no built-in instrument sounds. It hosts and transforms plugins and audio files you already own.
Yes. SIPHON 1.2.0 includes AAX for Pro Tools on Windows and Mac, alongside VST3, AU (Mac) and Standalone. No iLok needed. In Pro Tools, SIPHON is an instrument: Instrument track > insert > Instrument > SIPHON.
Governor Field Unit is a separate effect plug-in with its own product page and pricing. SIPHON is a one-time license for $49 (regularly $79).
Yes. Use the 3-day free trial on this page (Mac + Windows). Enter your email there to get the download. It is the same installer as the full version, and after three days it asks for a license code. If you run into a problem after buying, chat with us within 3 days of purchase and we'll review a refund.